Monday, November 13, 2017

DETECTING MONIQUE

 
I have practically made a career out of playing detectives.  From arresting Colonel Mustard to guessing the end of The Sixth Sense three minutes after it was revealed, my intuitive genius is unmatched.  I’m often asked to play detectives from the safety of the audience in order to limit my scathing interrogations.  Now, it would certainly be better if I were ONstage or ONscreen, but there are no small parts, only small paychecks.
 
This weekend, my detecting skills were in high demand with two bookings.  First, I solved the mystery of the death of a nuclear physicist in Black Coffee at Henrico Theatre Company and then I got to the bottom of the stabbing of Johnny Depp in Murder on the Orient Express at Cine Bistro.
There were indeed similarities, but there were also distinct differences, like comparing two egg yolks after they have been scrambled.  For instance, the food at CB was noticeably better than at HTC.  At CB, I was served a delightful hamburger and fries with a small cup of ketchup.  I even won a free box of peanut M&Ms for my lifetime achievements at CB, including my performance as Monique in “How can I fit three plates on this little tray table?” and my turn as Monique in “Why yes, I know this popcorn is large enough to feed a whole kindergarten class, but there are free refills, so I will have one.”  In contrast, at HTC, I had two pieces of Trident gum that I found in my purse.
There was a bit of a Poirot mustache stand-off between Tom Eichler at HTC and Kenneth Branagh at CB.  I’m not sure it was a fair fight, as Kenneth benefitted from Hollywood make-up artists and gratuitous close-ups.   While Tom’s mustache was enviably curly, it did not read to the back rows.  However, Kenneth’s face toupee was thick and layered and would read to the back of the solar system.  I also venture to guess that Tom’s mustache was actually real, while Kenneth had to rely on movie “magic.”  Kudos to Tom for out-testosteroning Mr. Branagh.  And myself , for that matter.  I had to depend on one of these:  https://www.amazon.com/Photo-Booth-Party-Mustache-Glitter/dp/B00H5ACTXE/ref=sr_1_4_a_it?ie=UTF8&qid=1510548321&sr=8-4&keywords=mustache+on+a+stick
But to more important things . . . my performances.  In Black Coffee¸ I quickly deduced that the coffee was the culprit.  In watching Murder on the Orient Express, I was confused at first by the Israeli setting, but once everyone boarded the train, I intuited that someone would die of unnatural causes.  Spoiler alert . . . correct on both counts.  Please don’t feel bad if it took you longer, I am a professional.
 
Having dispatched the mysteries in short order, I could focus on the intricacies of my costars’ performances.  I learned several things of note.  First, Penelope Cruz was doing perhaps one of the worst Swedish accents I have ever had the displeasure of hearing.  She sounded downright Spanish.  Second, there is a correct and incorrect way of arranging sticks in a vase.   Now, the uninformed might feel that the sticks looked the same before and after being neatened, and the truly ignorant might wonder why someone would put a bunch of sticks in a vase to begin with, but I took the oddity as an opportunity to learn and judge.  Finally, Hercules is properly pronounced Hercule.  I am glad to hear this and might consider going back to the original spelling of my name as Moniques.  I grew tired of people mispronouncing it, but the resurgence of Agathas Christies gives me hope.
It’s hard for me to pick in which mystery I gave the better performance.  It’s like when I had to choose between my smoothie additives in Monique’s Choice.  If forced, I would have to say perhaps my finer work was in Black Coffee.  There was a bigger audience for my performance, including my costars who were clearly feeding off my passionate portrayal.  While I believe I was equally stirring in Orient Express, I think I somewhat dwarfed Michelle Pfieffer’s work, and she appeared a bit intimidated by my skill.  I was told that Michelle was not actually in attendance at CB, but instead was a 2-D figure on a movie screen, but I am not stupid.  She looked directly into my eyes, as if asking me how does one chew the scenery like I was chewing my popcorn shrimp and calamari.
 
Indeed, I did enjoy my suspenseful weekend and have taken to playing clarinet music from my cell phone as I move around doing mundane tasks.  I feel it adds a tense atmosphere to my Zumba Acupuncture sessions.   Tenseness may seem unwanted if you’ve never seen my vast range of nervous/agitated facial expressions, but once you have been so blessed, you will wish the world was as tense as an Agatha Christie mystery.
 

 

Saturday, August 2, 2014

THE FASTER YOU ARE, THE MORE POPULAR YOU BECOME!

There's been a lot of talk lately about "slut-shaming" and "feminism."  Not in my apartment, mind you.  There, we mostly debate the benefits vs. the side effects of Latisse.  I mean it is quite the conundrum -- the longer your lashes, the browner your eyes may permanently become.  It's a horrible truth!  I now know how Solomon must have felt.  And Meryl Streep when she had to choose between her children in order to win an Oscar.  No matter what people say, I think it is not too much to ask that offspring should give their lives for a golden statuette.  You gave them that life in the first place.  It's an even trade! 

But I digress.  Swift Creek Mill Playhouse has been having quite the success with the hard hitting, feminist manifesto, The Dixie Swim Club.  Every performance features a theater full of women standing and shouting for Equality Now and Equality Forever!  Or perhaps that was just the performance I was at.  Or perhaps just my seat.  In any event, I was inspired.  I am all about womyn power  . . . at least, when it benefits me.  In the face of a particularly nice necklace, well, "Equality" becomes just another artificial sweetener.

As I was saying though, it was simply refreshing to hear a group of women announcing that it is better to be "fast."  And then drinking to it!  These ladies give a whole new meaning to promiscuity!  There is husband stealing, unfortunate side effects of what is clearly a 50 Shades of Grey relationship, and a PREGNANT NUN!  This is Agnes of God, if Agnes of God actually made sense!

Now, I will admit that the playwrights are MEN.  So, it's only natural that they put in a few judgmental, anti-women plot points.  The nun suffers agonizing childbirth in a car; God smites the women with a hurricane; there is cancer given as karma to the sluttiest lady; and there is death.  But these are a mere quibble with what is otherwise a piece of literature that rivals The Beauty Myth, The Feminine Mystique, and The Hunger Games.

The faster you are, the sooner you "win."  And you know what they mean by "win," don't you?  They are not talking the lottery, dear readers.  "O" no. 

Now, I will admit to quoting out of context, which I often do when drunk.  I believe the original scriptural language talked about "swimming" fast, but clearly that is a reference to all the "fish" in the "sea."  "If" you "get" my meaning.  Wink. Wink.  Ow, these Latisse eyelashes are rather sharp!

I believe the show closes tomorrow, which should give the ladies more time to do what they do best.  If you get my drift.   And I don't mean an ocean drift.  Or Drifty the Snowman.  Thank you.
 











Thursday, November 1, 2012

THE MONIQUE PROJECT



I was greatly inspired after seeing TheatreLAB’s The Antigone Project at Gallery 5 on Tuesday night. It was touted as a Devised Adaptation, which at the talkback I learned translates into “they wrote their own dialogue.” I write my own dialogue all the time, but I tend to call it “talking” instead of a “devised adaptation.” Potato. Potahto.

Truly, I’m happy they made up their own dialogue, because had they done the show in the original Greek, I fear too many people would have left the theater making the “It’s Greek to me!” joke. Now, I’m sure this joke was funny when some toga-clad Athenian made it in the olden days, but the luster is off that horse’s mouth, if you know what I mean. If you don’t know what I mean, may I suggest Sheckie’s Laugh Hut on Main Street. Not that I’ve ever been there, but order the onion rings.

The show appeared to get a lot of inspiration from media and celebrity and involved a seizure-inducing video montage of lots of famous people and the Lucky Charms leprachaun. Interestingly, I saw no pictures of myself, but perhaps I missed them during my grand mal episode in the second act. In any event, I was in the actual audience, so my fame became a sort of meta-device in the production. Had I realized, I would have worn a toga to honor Sophocles. Honestly, how an ancient Mediterranean foresaw my meteoric rise and wrote me into his classic play, I do not know, but then again, I was pretty sure Whitney Houston wouldn’t make it to 60, so perhaps the future is not as unknowable as one might think.

Back to the show. Antigone was costumed as a heroin-addict polar bear. I wasn’t quite sure of the symbolism involved, but my guess is that it had something to do with the arctic nature of modern interaction. Lost innocence is also always a good bet when trying to figure out symbolism. And generally, if symbolism is afoot, one can find a Christ figure, usually with the initials JC (for example, Julius Caesar). Many of the characters in The Antigone Project were unnamed, but I am quite certain one or more of the actors dressed in black was likely named Jacqueline Carrington, or something similar. Don’t quote me, but I feel quite secure with my guess.

The play really got exciting when Antigone was jailed by Creon for burying her brother. Now, one would think Creon would be thrilled that he didn’t have to pay sanitation workers and could use that money for a private jet, but apparently one would be wrong. Given that, in Creon’s kingdom, the dead have to rot in the streets, I can only surmise that Creon made his money in the perfume or perhaps Fabreze industry. He certainly looked as though he smelled nice, although it is hard to understand why a Fabreze executive would be a death penalty advocate. Fewer customers is always a bad thing, as any successful businessman will tell you.

I should also mention that the set consisted of newspapers taped to the floor in a sort of homage to a gerbil cage. And, in fact, in the opening sequence, many of the Jacqueline characters marched purposefully around the papers as though they were “caged.” It was a nice touch, although I think one of those wheels would have added depth of field.

There certainly was a lot going on in this production. I am not sure I recall another production that I’ve ever seen incorporating Jesus, gerbils, polar bears, and Fabreze quite so evocatively. Well, Harvey Fierstein’s A Catered Affair came close, but its treatment of gerbils was too mundane for my taste. Kudos to TheatreLAB, Sophocles, and myself.

Thursday, October 4, 2012

A Bright New Monique

Now!  Now!  Now!!  I could not agree more. 

The other evening I attended Industry Night for A Bright New Boise at the Firehouse Theatre Project.  I am as industrious as the next brilliant actress, so I prepared accordingly with two contrasting monologues set in Idaho, the Boise State Broncos fight song in E Minor, and an acrobatic, lyrical movement piece celebrating the 104th largest city in the United States.  (I cut the piece down to a manageable 10 minutes by excising my salute to the 103 cities that triumphed over Boise).

The showcase procedures were somewhat odd.  Although the emcee repeatedly asked for the next performer by chanting, "Now! Now! Now!", it appeared that all participants needed to wear an ugly red vest.  I was, quite understandably, tortured.  First, the red vest would cover my Potato Bowl costume, which was handmade out of french fries and chiffon.  Second, the vest would have been terribly unflattering to a figure honed through years of bulimia.  Finally, I did not receive the memo of such requirements and was, therefore, unable to prepare ahead of time.  I am certain that, with proper notice, I could have constructed an appropriate costume incorporating a red vest, but to do so on the fly was more than even I could handle, especially as the french fries were somewhat detrimental to clear thinking.

While I argued with myself as to the proper course of conduct, I watched the other performers with interest, and this is what I have to report.  (1)  Profanity is back.  (2)  The Apocalypse is a good topic for monologues.  (3)  The tech crew was asleep.  I'm sorry to point it out, but I must.  While actors were trying gamely to present their pieces, there was A VIDEO PLAYING IN THE BACKGROUND.  And not just any video, but a horrifying, disgusting video about CRAFTERS.  Revolting.  I saw styrofoam, glue guns, tummy tucks, even fondant.   At one point, I believe somebody was trying to make a human eyeball out of construction paper and fabric paint.  I am sorry to have to discuss crafting before my 5pm hot French class, but I simply must call them as I see them.  How anyone can hope to create art in such a situation, I do not know.

In the end, I felt it necessary to preserve my high standards and chose not to present my piece in a vest.  Although the audience did not get to see my performance, we were all entranced by the talk of the Apocalypse.  It is a scary thought to some, I imagine, but I don't lost much sleep over it, which is a good thing, because if I get any less than twelve hours, I can't even audition for teenage roles.  In any event, the fact is, we are living in the Apocalyptic times already.  Honestly, if actors being forced to emote in red vests is not a sign of the end times, then it is possible I am not destined for greatness.  You see my point?  I realize now that The Four Horseman will not be well dressed.  In such a case, I sincerely hope that I am not Left Behind. What ho!!

Tuesday, December 13, 2011

Monique at the Sycamore Rouge



Last week, I attended a "bar performance" of Picasso at the Lapin Agile at Sycamore Rouge. I thought I was going to see a traditional play, but little did I know I would stand witness to some flagrant plagiarism. I don't know who this Picasso fellow is, but it is outrageous that he would present this piece of "reality theatre" without giving credit where credit is due!

You see, it wasn't really a scripted play; instead, as I sat in the bar, Picasso arrived and talked to his friends and drew a few things . . and voila! theatre!!! Truth be told, I was quite entertained. This Picasso had a lot of interesting things to say and some truly charming friends. What's more, I was also sitting at the bar, so the "audience" was also free to drink in my arresting performance as "Woman on a Short Stool."

But I digress. My point was that I have been performing this type of theatre for years. Everyone is familiar with my biggest hits, including "Monique Last Thursday" and "Monique Makes Breakfast, June 15, 1992 at 10:00 am." My most ardent fans are quite fond of my more obscure work like "Monique Watches A Video of Monique" and "Monique Sees a Play."



Imitation is the sincerest form of flattery, I know. But as Mother always says, a credit is a credit and you will be hearing from my lawyer.



As a side note, it is certainly not too much to ask for Picasso to wash up prior to a performance. Good grooming shows respect for the audience. Blue paint covering most of your arms is not a good look unless you are part of the Blue Man Group. Speaking of which, the Blue Men could use a new make-up artist as blue does nothing but enhance undereye shadows.



I unfortunately can't tell you what happened at the end of the play. The alcohol at the bar was NOT prop alcohol.






Thursday, November 3, 2011

Age Akimbo




I recently caught a production of Kimberly Akimbo, currently playing at Theatre Gym. This may have been one of the most evocative and groundbreaking performances I have ever seen. At last!!! Age-blind casting of ingenues! What has taken stodgy regional theater so long!?


In this play, the title character is a sixteen-year-old girl, and in this production, the part was played by someone who was, to put it delicately, a bit over sixteen-years-old. Truth be told, I'm not sure I could have passed for sixteen myself, although in a particularly favorite gymboree outfit, I come pretty close.


But really, the casting of Kimberly could have been awkward. Instead, it really elevated the play. I believe they changed lines in the script to cover up the fact that the actress looked too old for the part. This added a VERY interesting subplot about some aging disease. Extremely creative! It reminded me of the time I refused to shave my head for a role in Terezin: Children of the Holocaust. We simply rewrote the script to permit a lovely bouffant. I'm fairly certain the production did not suffer.


In any event, I enjoyed the show a great deal, even though Kimberly looked older than her parents. I can suspend disbelief with the best of them, and I encourage this type of thinking!!


I'm excited for what the future brings for Theatre Gym!! I do hope they consider The Music Man. I believe I can bring new meaning to the part of Winthrop. Or maybe simply a lovely, understated Christmas Pagaent. I have always wanted to play the Baby Jesus. What ho!

Wednesday, August 17, 2011

Hollywood, is that you?

What ho!!!



I am exhausted from the successful production of my life's story. Thankfully, grandmother gave both mother and I a gift certificate to our favorite spa for tomorrow (no puppets allowed). I will be refreshed and smooth when Hollywood calls about casting the movie adaptation of All's Well that Ends with Me.



Tuesday, August 2, 2011

Don't Miss It

According to John Bryan, President of Richmond's CultureWorks, my life story is "one of those raised-eyebrows, are-you-kidding-me, you-had-to-be-there productions . . . [it] doesn't disappoint."

http://www.richmondcultureworks.org/Blog/tabid/85/articleType/ArticleView/articleId/188/What-Good-is-Sitting-Alone-in-Your-Room.aspx

Only three more performances: August 4, 5, and 6 at 8:00pm at Richmond Triangle Players. www.rtriangle.org

Saturday, July 23, 2011

My To Do List

1. Install cameras in my house so I can have my own reality show without doing any extra work.

2. Answer fan mail. Dominion Power and Citibank have been ignored long enough.

3. Edit Tony acceptance speech. Three hours is probably a tad long.

4. Select costume for trip to the grocery store. (In need of lettuce, so considering a matchy-matchy green).

5. Finish building box seats & balcony at Richmond Triangle Players for my life story's opening night. Orchestra seats are for the unwashed.

6. Remind everyone that my life story runs for ONLY TWO WEEKENDS at RTP. If you are interested in attending, please make your plans now. Blink and you will miss it!!! www.rtriangle.org.

What ho!

Monique (reviewers please note, there is only on "q" in Monique)

Thursday, July 14, 2011




The Puppet took me to a street festival last night promising I'd see some cutting edge theatre. Imagine my utter dismay when it was a traveling puppet show. Has the world gone puppet mad? And the poor Puppet appears to have a crush on the actress playing the kitty in the show. Although I admire her flawless skin, I think she used too much Botox. I never saw her lips move once.

What's the Point of Make-up?












I traveled in a torrential rainstorm to Swift Creek Mill Playhouse this past weekend to catch the thriller, Wait Until Dark. Rain is not my hair's best friend, so I had to spend to some extra pre-show time in my car fixing my hair and make-up. Well. I needn't have bothered! During the most exciting part of the play, we were plunged into total darkness, and nobody could even see how stunning I looked!! To make matters worse, the lead actress in the play was BLIND -- so even when the lights were on, she couldn't see me or my carefully selected theatre attire.





You might think that viewing my performance as audience member number 127 would not be crucial to your enjoyment of the show, but you would be incorrect. In fact, it seemed to distract the entire cast as they were constantly searching for the "heroine" throughout the show. I imagine they should have given me a better seat so as to make it easier for the characters to move on to another topic of discussion. I attempted to help by shouting "I'm over here!!!!" but I guess they couldn't hear me over the rain, because the dialogue regarding the "heroine" never ceased.





The actors brilliantly covered their inability to locate me in the audience by pretending that the "heroine" was a doll. At that point, I was rather relieved that I was hidden in a darkened auditorium, because the actors proceeded to knife the poor heroine and remove her insides. While I have always wondered whether my insides are as lovely as my outside, I felt the time was not right to find out.





If you are looking for believable portrayals of characters searching for a heroic woman in the sixth row, this is the play for you, but if you are looking to see and be seen (and honestly, who isn't?) , I might suggest you "look" elsewhere!


Tuesday, July 5, 2011

My Kingdom for Some Air Conditioning



This weekend, I attended the closing performance of King Lear produced by the Richmond Shakespeare Festival. The program contained several pages of plot points to help if you do not speak Shakespeare. Had they asked, I could have assisted in condensing the summary as follows:

King Lear ruled over a kingdom with no air conditioning. He simply did not believe in it. This was probably due to a strong lobbying effort from the dry cleaning consortium, as the entire kingdom was extremely sweaty. Much heartache and tragedy resulted from the overheating of the country, including the descent into madness of the King himself. Even clothed in a loose fitting cotton nightgown and leaves, he was unable to retain his sanity in the heat. Most supporting characters also ended up dead from suicide, murder, or heat stroke.

I must say that the acting in this play was truly impressive. I actually believed that people were hot. In fact, in watching the show, I actually felt hot myself. I could have sworn that I myself was part of a sweltering kingdom. Brilliant!! Bravo!

For those of you lucky enough to catch the show, you might have seen my charming portrayal of "audience member in the fifth row." I interacted pre-show with The Fool. We chatted believably about the weather and my seat. I would suggest that you attempt to catch a future performance but unfortunately The Fool is dead and the show has closed. It is unfortunate that some of you missed my appearance, but trust me when I say that it was a truly draining role that I'm not sure I could easily repeat. On the upside, I lost several pounds of water weight at each performance. What ho, a silver lining!!

Sunday, July 3, 2011

Help Amy & Donna help my show be produced in Richmond, VA!

Since Amy & Donna want to produce my show in Richmond, Virginia, I thought I'd let them take over the blog for today.
What ho!
Monique


********************************************

What ho, friends & family!

As you know, the World Premiere of All's Well That Ends With Monique by Amy Berlin & Ann Bucci opens on July 28th, co-produced by Richmond Triangle Players. This production is being directed by Donna E. Coghill, and stars national spokesperson, Kristen Swanson, as Monique. It also stars BJ Kocen, Kimberly Jones Clark and Stephen Ryan. Set by Todd Schall-Vess, Lights by K. Jenna Ferree, Costumes by Don Warren and Sound & Original Music by BJ Kocen.

This script is so exciting that it already has a publishing deal! Here’s a brief description:
Her theater internship is lost, her trust fund is tied up, and Mother has signed an anti-enabling contract: Monique's dream of finding her breakthrough ingĂ©nue role on the Great White Way seems doomed. What’s a girl to do at 45? Pshaw!! In Monique’s world, it’s always opening night! Never let reality get you down!

Many of you have expressed interest in this exciting production. Unfortunately, we did not get the two big grants we'd been hoping for, and as soon as some of you heard that you asked how you might help. Well, we thought about it and there are a few ways you could join in the Monique fun!

1. You can make a tax-deductible donation to Richmond Triangle Players in support of our production. They’ve made it really easy! Click here to donate on-line (click “CONTRIBUTE TO RTP”), or you can send a check to Richmond Triangle Players, PO Box 6905, Richmond, VA 23230. PLEASE BE SURE TO NOTE THAT THE DONATION IS TO SUPPORT “MONIQUE PRODUCTIONS COSTS.”

Any amount would be much appreciated. Anyone who donates over $50 will receive a thank you in the published script and an autographed copy of the script!

2. You or your business can buy an ad in our playbill. We’ve made it REALLY affordable! $100 – full-page ad, $75 – half-page ad, or $50 – quarter-page ad. Just send your check to Richmond Triangle Players, PO Box 6905, Richmond, VA 23230 (and note that the check is for “MONIQUE PROGRAM AD”), and e-mail your camera-ready artwork to hubbird1@aol.com. Deadline: July 10, 2011.

3. Bring the fun of Monique home with you! Buy yourself or a friend a special Monique gift in our Cafe Press store. We've set the store up mostly for fun, but a tiny bit of the cost will go to help cover some Monique production costs. Check it out at www.cafepress.com/allswellthatendswithmonique

4. Tell your friends about Monique! Help us with publicity by talking us up - joining us on Facebook (search for “All’s Well That Ends With Monique”), Twitter (BroadwayMonique) and the awesome Monique blog (allswellthatendswithmonique.blogspot.com). If you have a storefront, public bulletin board or street facing window, let us know and we can make sure you get a poster. Do you have an email list? We can send you our Monique production info to share with your colleagues. Publicity help will help us out immensely!

AND, most importantly, we would love you to come and see Monique! Tickets will soon be available via Richmond Triangle Players website: .

Thanks so much for always supporting us in our theatrical endeavors. All's Well That Ends With Monique is a dear production to us and we look forward to seeing each of you during our brief run!

And always remember: When life gives you lemons, be sure to count your chickens!!

What ho!
Amy Berlin & Donna E. Coghill
Producers

Tuesday, April 26, 2011

My Barksdale Debut



I found myself back in Richmond, Virginia last week. For reasons unknown, I agreed to accompany the Puppet to visit one of his argyle cousins. The less said, the better.



While there, I took in the production of Circle Mirror Transformation currently running at Barksdale Theatre. Well. I must say I was surprised and thrilled to find myself the central character. Kudos to the director for the brilliant stunt casting!

If you attend, I highly suggest a seat down center with a good view of the mirror. I am visible through the entire production. Truly, I'm not sure what my costars were doing or saying, as my visage commanded the stage. How the designers knew exactly what I would be wearing on the evening I attended, I do not know. Theatre magic at its finest!!


One caveat though. My mother attended the next week, and she was stunned to discover that I was not actually performing that evening. In a truly confounding bit of casting, my mother said she actually saw HERSELF in the mirror onstage. I pity the audience who missed my breathtaking performance.


My mother suggested that perhaps my reflection was only there the night I attended. It is certainly a conundrum! If I am not there to see myself in the mirror, does the tree really fall? Well, I haven't the necessary time to truly contemplate this as I am late for my feng ski lesson, but it seems the safest bet to suggest that, if you want to be sure not to miss my showstopping performance as "Woman in the Mirror," you buy a second ticket and invite me to attend with you! You will not be sorry -- I do a particularly riveting cross and uncross of my legs about forty-five minutes into the show. Be sure to keep your eyes peeled!!

Wednesday, December 29, 2010

Midwest blues

I should know better than to listen to the Puppet for travel advice. He told me that we should go to Chicago to escape the blizzard heading our way on Broadway. I normally wouldn't go to any second rate city, but I thought since it was in the mid WEST it would be warmer. I needed to revive my skin, which had been taking on an appalling reddish hue. I blame a groupon discount facial I had at a Chinatown spa--unfortunately, I purchased 200 of them. So we took our meager Christmas money (Grandmother keeps talking about the recession, but I don't see her selling any of her K-47's to pay her mortage) and here we are.

In addition to the frigid temperatures and snow, the wind has made a disaster of my hair. The Puppet refused to help me hold my hairstyle in place, insisting that he stay in my pocket to keep warm. We ducked into a rather large gothic looking building where I thought we could run laps indoors. Sadly, the Field Museum is an actual museum featuring old bones and dirty, dusty old things with lots of children running around. Appalling.

I did, however, make a wonderful discovery. We were herded into the Sue the T Rex robotics exhibit. I looked positively nymphlike and exquisite next to her! The Puppet and I spent all day there and I felt so empowered that I canceled my next therapy session.

What ho!

Friday, October 29, 2010

Dixie Swimming


I headed to Richmond recently for a production of the modern classic, The Dixie Swim Club, at a off-off-Broadway theatre dedicated to the musical CATS. Naturally, at such a feline-inspired theatre, I expected a rousing rendition of something jellical, litter boxes in the bathroom, or at least an all-cat version of Sylvia. Strangely, I experienced none of the above.


The play was a modern commentary on costumes and wigs throughout the ages. Personally, I would never allow myself to be cast in a role where I would play someone OLDER than myself. Truth be known, I could never really be cast as someone who is actually my age. While I don't flatter myself to think I could carry off anything less than 13 convincingly, I also understand that nobody would believe me as a woman in her, well, over 35.


The MOST impressive part of the evening was that these aquatic women would regularly leave the stage to go for a swim in their wigs. I don't know what was more fascinating: the fact that the set included an off-stage ocean or the ability of the women to blow out and set their tresses during a scene change.


And kudos to the actress who actually had to die each night. This part seems especially hard to cast, unless you are paid in advance. I myself tend to only accept parts where I am alive for the curtain call.

Friday, October 15, 2010

Headshots


I'm Monique, and it's been 72 hours since my last headshot. I know, I know!!! They barely look like me anymore! As such, I am packing my gowns, jewelry, and turbans and heading for Richmond, Virginia for new headshots this weekend.


Why Richmond, you may ask? Well, the Puppet wants to see one of his idols (pictured above), appearing this weekend at Richmond Triangle Players. I thought I'd tag along and utilize some confederate stonework as a background for my new photographs. I thought for a while about using a handmade mosaic of my face as my headshot, and I may still go that route in the future, but until then, it occurred to me that my career would be boosted most profitably by subliminal messages regarding the South.


How, you may ask? Well, allow me . . . the South condoned slavery, handcuffs are metal, metallics bring out my complexion, thank you for the compliment. And please don't pass this around on actor message boards or what-not. Before you know it, EVERYONE will have their headshots done astride the Lee Monument, and I cannot bear imitation. I mean, for heaven's sake, Arthur Ashe never leaves Monument Avenue -- you would think that certainly he's had a good shot taken by now!!


I will post my new masterpieces upon my return.




Thursday, September 30, 2010

New Friends and Diet Tips


I have some most excellent news. My newly-codified BFF, the Puppet, has managed to become rather close with actual Off-Broadway stars. Apparently, they have "lots in common." Whatever. Their horrifying spray tans aside, these new friends seem like they could really open doors!!


I will be honest though. Once you get them away from their odious hangers-on, they really have very little to say. Happily, I've never found that a problem in my personal relationships, as I have enough conversational skills for a small village! What ho! I will write more when I return from the cast party! I must go sew strings onto my hands and feet so that I will fit in -- a little inside tip on the next sure fashion trend!


Oh, and do you know the best part of this puppet trend? These performers have NO ESOPHAGUS!!! It's true!!! The food they chomp on just falls out of their mouth; there is no way for it to be digested!! It sounds like a pricey procedure and is rather disgusting to watch, but I will be looking into it immediately.


How some puppets are fat is beyond me.



Friday, August 27, 2010

Leaving Florida

What ho everyone!



I am pleased to report that the Florida visit has been a smashing success! Sometimes one's talent just shines through no matter what obstacles have been placed in one's way. Although I did not get a callback for the Three Kings, my video "Wacko Scarlett has Balls" is a sensational smash hit. According to Entertainment Tonight, it is the most popular viral video, beating out the rescue of the alligator in the Chicago river. (Seriously, was there even a contest there?).

Donnie and I must, however, leave the sunshine state. Apparently, Donnie's friend who graciously let us stay in his abode for free unexpectedly returned early. Instead of our usual morning spent doing yoga and purging, Donnie and I took a boot camp class as we climbed out the second story window, dove into the pool and ran towards the gates. Quite a workout given my high heels.

So, what ho! we are on our way back to Broadway. And Mother, while I appreciate your offer to knit my new headshot, I must turn you down. I don't think merrino wool is a star maker.

Thursday, August 19, 2010

Pearl Earrings Can Distract

I am thinking about trying something new with my headshots. Since a photograph can't really capture my glow, I am forced to consider alternatives. Like a painting. Or perhaps a sculpture. So, I'm in the market for an artist. I am prepared to barter with a reading from my one woman show, "Monique: Last Friday." It's the last in a trilogy.

Whoever did Scarlett Johansson's headshot here need not apply.